4100 Redwood Rd #406
Oakland, CA 94619

Karla's Arrival

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TRAILER_FORUM_FINAL-SBB_.mov

Images

SittingInPark.jpg
An Afternoon 'At Home' (in the park)
KarlaCU.jpg
Baby Karla at 12 weeks (and a little bit ill)
Letter.jpg
Sujeylin writes a letter
withJuanCarlos.jpg
The Familiy, Sujeylin & Karla with father, Juan Carlos

Website

http://www.karlasarrival.com

Topics

Health: Infant Mortality, Nutrition/Malnutrition
Human Development: Aid, Children, Emergency Relief, Poverty, Shelter & Housing, Social Exclusion, Youth
Human Rights: Civil Rights, Sexuality, Social Exclusion
Politics: Activism

Project Geography

International: South America

Identity Niches

Caucasian, Indigenous, Latino, Student, Women, Youth/Teen

Budget

Raised to date: $100.00
Estimate to complete: $0.00
Total Estimated Budget: $100.00
The budget numbers above are accurate as of

Status

Distribution

Media Type

Video

Project End Use

Theatrical

Key Personnel

KOEN SUIDGEEST
Director/Producer

A graduate of one of the UK’s better film schools, Koen has dedicated half his life working as a producer, director, writer and photographer, mostly in the field of documentaries. With his film CASTING (2006) he became the first Dutch filmmaker to be nominated for a Spanish Academy Award (Goya). Other work includes EL COLOR DE UN VOTO (2007 for national broadcaster LaSexta, as director), the four-country European co-production THE ENDLESS CARAVAN (2004 - as writer, co-director and producer) and EL HONOR DE LAS INJURIAS (2007 - as executive producer) which went on to win the second prize at the Seminci International Film Festival (Valladolid, Spain).

Always easy-going, Koen is an educated, cultured, multi-tasking, decisive and positive person. He has traveled five continents and resided in four countries, the past 12 years in Spain where he lives in Madrid. Koen is father of two children: Paula and Ana.

Emily Lobsenz
Producer
Graduating Summa Cum Laude from Amherst College (2002), Emily directed two award-winning films. She earned her Masters at The Courtauld Institute of Art, London (2003) and received honors for her dissertation on The Order of the Golden Fleece. She has since worked in camera and production-design for independent films and television in Europe and the US. In 2006 she founded Daggewood Films (USA), Daggewood Produkzioak (Spain). Emily is currently producing and directing the documentary Ipuina Kontatu: The Basque Way and co-producing the human-rights film “Street Babies.” Emily is fluent in Spanish, French and Basque, an elite triathlete and long-distance runner and a cellist.

Jan de Coster
Editor
Jan de Coster is one of Belgium’s most prolific documentary editors, whose credits include Prisoners of the Ground (Stella van Voorst van Beest), the closing film of the Dutch Film Festival 2009, as well as Enjoy Poverty (Renzo Martens), the IDFA 2008 opening film.

Outreach/Engagement Plan(s)

Partnering with Casa Alianza (an NGO based in Nicaragua, Mexico and Honduras)  we will build upon their young mother’s program, a home for pregnant homeless teenagers that offers education and other human services. However, once the mothers and newborn are on their own, the challenges they face are so great and the circumstance so dire that many end up back on the streets.

The film will be accompanied by a web based program in which “graduates” of the young mother’s home selected by Casa Alianza, can post their stories. The film will direct viewers to this site as will our community based screenings and ask for public support. A fund, eventually generated solely by the film’s audience, will provide these young mothers with the resources and support necessary to begin their own micro-businesses while caring for their children. The young mothers can keep the public informed of her and her baby’s progress through their blogs and also reach out to other street children to tell their story and become social-activists themselves. Casa Alianza has agreed to help develop and manage such a program provided funding is in place.

Funders

NameAmountDate
ITVS$115,100.0005/15/2010
Knowledge (B.C. Canada)$3,340.0003/01/2010
TVO (Ontario, Canada)$6,700.0002/01/2010
TV3 (Catalunya, SPAIN)$20,100.0001/16/2010
Yes-DBS (ISRAEL)$1,500.0001/01/2010
Flemish Film Fund$36,800.0009/07/2009
RAI (Italian Public Television)$7,500.0003/30/2009
YLE (Finnish National Broadcasting)$7,500.0002/15/2009
Lichtpunt (Belgina National Broadcaster)$14,500.0009/15/2008
Producer Investment$15,555.0008/30/2008
AECID (Spanish agency of international cooperation and development)$48,725.0008/01/2008

Location

51 Bergen Street
Brooklyn
Brooklyn, 11201

Short Synopsis

Karla's Arrival is a human-rights documentary about a teenage mother raising her newborn on the same streets she herself grew up in. The film follows Sujeylin, a young mother living in a park in Managua Nicaragua, and her baby, Karla, through the first year of the child’s life; their complicated personal journey reveals a universal story and a dire human rights issue which has yet to be told.

Description/Treatment

Karla's Arrival is a human rights documentary about babies who are born and raised on the streets. They make up the second generation of street children, those whose parents also grew up homeless. This is an unstudied phenomenon of a generation which tends to be entirely invisible to statistics.

The film follows a young mother, Sujeylin and her baby, Karla who live as part of a group of kids in a small park in Managua, Nicaragua, as they struggle through the first year of the child’s life. The story starts with the child’s birth, the 15th of March 2009, and ends on the baby’s first birthday. Between those two moments, Karla's Arrival takes its audience on the intense personal journey of a Sujeylin’s venture into motherhood under the most extreme circumstances. While she realizes the bleakness of her baby’s prospects in life, she will resolve to leave the streets and start a new life for the love of her child. Karla's Arrival follows her complicated personal journey to cover a universal story shoved aside with the street-litter by governments around the world; a story that must be told.

The film is relevant on several levels. Globally, it reveals a reality lurking in the shadows of many big cities: new generations of homeless youths struggling to survive but ignored by their governments. While exploring specific human rights issues, it delves into the complex universal experiences of accepting parental obligations. Furthermore, it scrutinizes the human capability to accept life’s circumstances and form a personal set of values within its boundaries. Finally, it tells the personal story of Sujeylin Aguilar and her daughter as they try to form a fragile family in the poorest of environments.

Karla's Arrival contains all ingredients to become a universally poignant and intriguing film. As the unofficial leader of the street-group to which she belongs, Sujeylin captivates us with her intelligence, wit and strength. Her strong character at once enriches the storyline and complicates the viewers’ response. Despite her extreme circumstances, we relate to her rather than just pity her circumstances. She is about to embark on a universal journey during which she will ask the same questions, trouble over the same doubts, and relish in the same moments that parenthood imparts upon us all. Yet, her fate continually draws her in the opposite direction. Will she manage to offer her daughter opportunities? Will the baby bring about the changes in herself she so much longs for?

Karla's Arrival raises awareness for a growing problem: homeless youths are starting families on the very streets they themselves have been growing up in. But the newborns will encounter more desperate problems than those of their parents, who often have had a few years of education and tend to be on the run from abusive families or poverty. In turn, the new generation isn’t likely to ever go to school, won’t have a reference of home, and do not have their own families to be hiding from. Generally these kids won’t be registered as citizens of their countries, as governments turn their cheeks, a community of street roamers proliferates invisible to international statistics. Despite the inherent differences of this new generation, no separate research on second-generation street children is being carried out, nor are books being written or films being made. All street children are treated as one and the same. Karla's Arrival aims to bring this new angle to international awareness, encouraging dialogue and action.

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