WE WERE HERE: Voices From the AIDS Years in San Francisco
Images
Topics
Health: HIV/AIDS
Human Rights: Sexuality
Politics: Activism, Ethics & Value Systems
Project Geography
US: California
Identity Niches
Budget
Raised to date: $113,000.00
Estimate to complete: $180,000.00
Total Estimated Budget: $293,000.00
The budget numbers above are accurate as of 03/04/2010
Status
Post Production
Media Type
Video
Project End Use
TV
Key Personnel
David Weissman
Producer Director
An independent filmmaker since the mid-1980's, David is best known as the producer/ co-director of the feature length documentary, THE COCKETTES. Recipient of the LA Film Critics Award as Best Documentary of 2002, THE COCKETTES premiered at Sundance, was released theatrically, and has been licensed for broadcast by both The Sundance Channel and Logo, as well as BBC. His previous work has won numerous awards, and has been broadcast domestically and internationally, along with countless festival screenings. David was the first recipient in 1990 of the Sundance Institute/Mark Silverman Fellowship for New Producers, which included a 4 month producing internship with the Coen Brothers on BARTON FINK. He also was awarded a Phelan Award in Filmmaking for his body of work.
Bill Weber
Editor
After more than 20 years as a high-end editor of groundbreaking commercials and music videos, Bill shifted into cutting documentaries. Starting with THE COCKETTES (2002), Bill’s documentary credits include the Emmy nominated LAST LETTERS HOME for HBO, the Emmy winning GOLD RUSH for The History Channel, the 2007 Telluride premiere documentary feature HATS OFF and THE FINAL INCH a film about the effort to eradiate polio which will premiere on HBO early in 2009 and is on the short list for an Academy Award nomination. He is currently working on a project for HBO on Alzheimer’s caregivers, also to be shown in early 2009. His previous work included an Emmy award-winning open for Saturday Night Live and the first Music Video of the Year Award for MTV for The Cars as well as groundbreaking commercials for clients including Coke, Ford and Honda and music videos for The Police and The Grateful Dead,
Outreach/Engagement Plan(s)
WE WERE HERE is intended for broadcast, festival, educational, and web distribution. The film will be ready by 2011, which will be the 30th anniversary of the first AIDS cases, and there should be significant interest from broadcasters – various cable outlets and public television. This is already being pursued.
There will likely be a strong festival interest in this film. It will be the first “post-crisis” film about AIDS in the US, and will furthermore be addressing issues that resonate beyond the parameters of this particular experience.
The education market should be substantial. The AIDS epidemic has been a historically unprecedented epic in so many ways, and there should be interest in this from a variety of different disciplines – GLBT studies, health policy, sociology, psychology and many more.
The web offers possibilities far beyond what can be achieved in a film. The interviews can be available in their entirety, and certainly there will be much in them that can not be fit into a feature length film. Additionally, there will likely be far more people interviewed than the film can accommodate. A web-based archive could be linked and integrated with other historical and health resources, and be universally accessible.
Funders
| Name | Amount | Date | |
|---|---|---|---|
| Frameline Completion Fund | $5,000.00 | 01/05/2010 | |
| Silva Watson Moonwalk Fund | $15,000.00 | 01/01/2010 | |
| California Council for the Humanities | $40,000.00 | 12/15/2009 | |
| San Francisco Foundation | $22,500.00 | 12/01/2008 | |
| Individual Donors | $40,000.00 |
Location
San Francisco, CA, 94117
Short Synopsis
WE WERE HERE: Voices From the AIDS Years in San Francisco will be the first deep and reflective look back at the arrival and impact of AIDS in San Francisco.
Description/Treatment
WE WERE HERE: Voices From the AIDS Years in San Francisco will be the first deep and reflective look back at the arrival and impact of AIDS in San Francisco. Just as gay liberation was beginning to find its footing, The City and its inhabitants were faced with unprecedented calamity.
There is an appropriate moment for hindsight into a traumatic historical event. Enough time must pass to allow room for those who lived through it to catch their breath and for perspective to develop, but not so much time that memories become hazy, or the survivors die off. This is that moment for this story. According to SF AIDS educator Ed Wolf, “ there are so many choices we made in those years, so many things that we did or didn’t do that we could never have really examined in the midst of it all – couldn’t really have dealt with before now. It is time to address those things.”
It’s been almost 30 years since AIDS descended on San Francisco. Like an unrelenting hurricane, the epidemic roiled The City for two decades and only began granting some reprieve with medical advancements in the late 90s. The death years of AIDS left San Francisco ravaged and exhausted, yet, at least here, the worst seems past. Thousands are still living with HIV, and new infections continue at an alarming rate, but the relentless suffering that overwhelmed San Francisco in the 80s and 90s has given way to a kind of calm, and, understandably, a degree of willful forgetfulness.
Though the AIDS epidemic has ballooned into an ongoing international disaster, for its first decade it was perceived as primarily a disease of gay men. San Francisco’s identity as the “gay Mecca”, with its disproportionately large gay community, made its experience of the epidemic singularly concentrated and intense.
San Francisco is filled with people who survived those years. Some are still active in AIDS work, and many continue to manage their own HIV infections on a daily basis. Others have simply moved on, doing their best to heal from and leave behind the decades of fear and pain. Yet so many people who lived through the worst of the epidemic in San Francisco express the same feeling – that no matter how awful it was, they wouldn’t have wanted to be anywhere else but San Francisco. What do these survivors – men and women, gay and straight, people still living with HIV and those never infected – have to say about living here through those times? What was unique to San Francisco, in the makeup of it’s citizenry, its history and its traditions that influenced the way the AIDS epidemic played out here, for better and for worse?
WE WERE HERE will tell the personal stories of some of those survivors. Intimate interviews and archival materials will serve to illuminate larger themes of the epidemic – the political and sexual complexities, the terrible emotional toll, the role of women - particularly lesbians - in caring for and fighting for their gay brothers. The film will focus on individuals who lived here prior to the epidemic, whose relationship to the City was formed in more exuberant times, and who were dragged into a terrible maelstrom that none could have anticipated.
WE WERE HERE will explore what was not so easy to discern in those early years of AIDS – the parallel histories of suffering and loss, and of community coalescence and growth. Despite legitimate fears of being forced back into the closet by AIDS, the gay community was in many ways greatly empowered by the challenges that the epidemic presented.
As a filmmaker and political activist who arrived in SF in 1976 and who was deeply impacted by the epidemic, I will bring a unique personal understanding to this history. The objectives of this film are multifold: to illuminate for younger generations – particularly young gay men – a history that is only vaguely known to them yet which has enormously impacted their lives; to open a cathartic dialogue for the generation that lived through those dark years; and to address ways in which profound lessons of the AIDS epidemic can be applicable to society in general.
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