Becoming Helen Keller
Images
Website
http://www.straightaheadpictures.org/sap/wwd_Becoming_Helen_Keller.html
Topics
Human Development: Children, Education, International Cooperation, Labor, Poverty, Shelter & Housing, Social Exclusion, Volunteering
Human Rights: Civil Rights, Disability, Social Exclusion
Information & Media: Culture, Media
Politics: Activism, Civil Society, Ethics & Value Systems, Governance
Project Geography
US: Alabama, California, Colorado, Connecticut, District of Columbia, Massachusetts, Missouri, New York, Texas, Virginia
International: Africa, Asia, Australia, Europe, North America, South America
Identity Niches
Budget
Raised to date: $1,238,000.00
Estimate to complete: $135,000.00
Total Estimated Budget: $1,373,000.00
The budget numbers above are accurate as of 03/12/2010
Status
Production
Media Type
Video
Project End Use
TV
Key Personnel
Laurie Block
Producer
Block initiated the project with a view to examine Helen Keller's life in the context of the historiy of people with disabilities. Block's work has long focused on the way in which questions about who is fit and who is not in American society are shaped by and reflect historical factors. Her first film, FIT: Episodes in the History of the Body, is a groundbreaking visual essay on the representation of the body. She produced, with Jay Allison, wrote and narrated, the four-hour NPR radio documentary series, Beyond Affliction, winner of the 1999 Robert Kennedy Radio Journalism Social Justice Award. She also worked as a producer with Karen Brown on Trauma and Recovery: A Cambodian Refugee Experience, winner of the Daniel Schorr Award. Block is co-founder and Executive Director of Straight Ahead Pictures. She oversees the development and production of all SAP projects including new web-based production serving education audiences directly.
John Crowley
Scriptwriter
Crowley has been writing narration for documentaries for 25 years. He is particularly known for The World of Tomorrow, about the 1939 World's Fair and Pearl Harbor: Surprise and Rememberance, both broadcast on PBS. Other credits include The Hindenberg and The Last Plague for HBO, Nobody's Girls and Gate of Heavenly Peace, an examination of the Tiananmen Square incident. An award-winning novelist, Crowley teaches fiction and scriptwriting at Yale University and has received an American Academy and Institute of Arts and Letters Literature Award.
Outreach/Engagement Plan(s)
American Masters will conduct pre-broadcast promotions, targeting major media outlets and key constituencies for all of its programs.
The braodcast documentary will also be integrated with a National Endowment for the Humanities funded Education Outreach Curriculum to be developed online. Education partners include Keene State College and Hampshire Educational Collaborative.
PBS affiliates in 8 major markets will initiate local community events to introduce Becoming Helen Keller broadcast and curriculum materials. These events will include a targeted community-based promotional campaign focused on educators, disability service and advocacy groups. It will be coordinated with the help of PBS Affiliates, the American Library Association, Federation of States Humanities Councils, and the National Council for the Social Studies, and several federated disability advocacy and community service organizations.To date, this targeted campaign will focus on communities in Massachussetts, Alabama, California, New York, Texas, and the remainder are to be decided.
Funders
| Name | Amount | Date | |
|---|---|---|---|
| American Masters, WNET THIRTEEN (EBC Corporation) | $400,000.00 | 12/01/2009 | |
| Selis Foundation | $10,000.00 | 09/01/2008 | |
| NEC Foundation of America | $45,000.00 | 05/01/2008 | |
| Mitsubishi Foundation | $8,000.00 | 05/01/2006 | |
| National Endowment for the Humanities | $775,000.00 | 08/01/2005 |
Location
P.O. Box 395
Conway, MA, 01341
Short Synopsis
Becoming Helen Keller, a 90 minute documentary biography for American Masters, will explore the long life and legacy of this global media celebrity and advocate for the disabled and disenfranchised.This project is a co-production of Straight Ahead Pictures, Inc., American Masters-WNET-Thirteen, and WETA-Washington DC.
Description/Treatment
Description: Becoming Helen Keller, a 90 minute documentary biography for American Masters, will explore the long life and legacy of this global media celebrity and advocate for the disabled and disenfranchised.
Helen Keller, blind and deaf since early childhood, was in her lifetime the world's most famous disabled person. By the age of ten, she was the first real-life poster child and already raising money for the education of blind and deaf children, herself included. The story of Keller's awakening to language through the devotion, innovation and cunning of her teacher, Anne Sullivan, thrilled the Victorian public. In 1904, she graduated from Radcliffe College in Boston with honors, having already published an autobiography that has never been out of print.
The earliest weeks of Keller's encounter with her Teacher, Anne Sullivan, have been immortalized in the movie and play The Miracel Worker, the fifth most commonly produced play in American community theater. The story is a staple of Women's History Week in grammar and middle schools nationwide, and Keller is as recognizable as a national brand name, familiar across the generations for more than a century. Yet Keller is both honored and spoofed, idealized while being the subject of innumerable jokes -- even an episode of South Park takes her on. This project will ask: who was she? What did she actually do? Why does she have the power she does? What does her experience and image represent today, and to whom?
Keller spent most of her adult life working as a professional writer, spokesperson, advocate and fundraiser. She was an outspoken Socialist and a suffragette, she worked in Vaudeville and was featured in a silent film biography. She gave some 200 speeches a year, and in her 70s she visited 37 countries. Though in her speeches she spoke in a rhetoric of darkness and light, affliction and redemption, she never abandoned her youthful utopian political hopes. But Becoming Helen Keller is also a buddy movie with a twist, a Horatio Alger tale about two disabled women who created their own way. (Anne Sullivan, Keller's Teacher, was vision impaired for much of her life.) This work will trace Keller's act of self-creation, as her life evolved amid the shifting values of an America becoming modern, through world wars and Depression into the age of JFK.
Treatment: The production team will employ innovative visual and sound techniques in making Becoming Helen Keller. In keeping with a life lived as a performance, the program will use actors speaking to camera to portray characters critical to Keller's biography, in non-naturalistic theatrical spaces. However, Keller will not be played by an actress in costume imitating her appearance and very limited power of speech - it would not be credible to pretend we can recreate the experience of a dead-blind individual. Instead, we will use an engaged and expert Reader to speak Keller's written words, taken from the letters, books, journals and articles that poured from her typewriter, in a voice passionate and forthright. Interviews and archival footage will round out the portrait, enlivened by animation and visual effects. Use of the manual alphabet will be visible periodically through the film, so that the audience won't forget how Keller was "spoken" to.
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