4100 Redwood Rd #406
Oakland, CA 94619

Our School

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Images

OurSchool_Alin.jpg
Alin
OurSchool_Beni.jpg
Beni
OurSchool_Dana.jpg
Dana
OurSchool_Springtime.jpg
Spring in Transylvania
OurSchool_DanaCrossingBridge.jpg
On the way to school
OurSchool_Winter.jpg
Roma settlement at Christmastime

Website

http://ourschoolfilm.blogspot.com/

Topics

Human Development: Aid, Children, Education, MDGs, Poverty, Shelter & Housing, Social Exclusion, Water/Sanitation, Youth
Human Rights: Civil Rights, Disability, Race Politics, Social Exclusion
Information & Media: Knowledge
Politics: Activism, Civil Society, Corruption & Transparency, Democracy, Ethics & Value Systems, Justice and Crime, Law

Project Geography

International: Europe

Identity Niches

African American, Asian, Children, Disability Culture, Indigenous, Student, Women, Youth/Teen

Budget

Raised to date: $250,000.00
Estimate to complete: $230,000.00
Total Estimated Budget: $480,000.00
The budget numbers above are accurate as of 05/27/2010

Status

Distribution

Media Type

Video

Project End Use

Theatrical

Key Personnel

Mona Nicoara
Director and Producer
Producer-Director Mona Nicoara began working in film as an Associate Producer for Children Underground (2001, Dir./Prod. Edet Belzberg), a feature-length documentary about street children, which received the Special Jury Prize at the 2001 Sundance Film Festival and a 2001 Academy Award nomination. Mona  has been a human rights activist since the 1989 Revolution that overthrew the Ceausescu regime in her native Romania.

Julie Goldman
Executive Producer
Executive Producer Julie Goldman has produced several acclaimed social issue documentaries, including Sundance-winner Sergio, which was nominated for an Emmy and shortlisted for the 2010 Documentary Feature Academy Award; Julie recently produced Sons of Perdition and is currently in production with Hungry in America (Participant Media); she was also a consultant on the Academy Award-winning The Cove.

Miruna Coca-Cozma
Co-Director and Co-Producer
Co-Director and Co-Producer Miruna Coca-Cozma is a graduate of the BBC School of Journalism and of the Romanian Theatre and Film Academy. She has worked as a journalist for Antena 1 and TVR in Bucharest, TSR in Geneva, and France 5 in Paris. Miruna's most recent project is the one-hour television documentary Omar Porras: Sorcier de la Scene for TSR.

Outreach/Engagement Plan(s)

Our School serves as a companion to advocacy efforts of activists working for desegregation and access to education in Europe and the US. We then plan to use our festival run in spring and summer 2011 as a springboard for a multi-year series of community screenings in relevant countries. At the same time, we intend to  develop partnerships in Europe with relevant Ministries of Education (such as the one we already have in place in Romania) in order to disseminate and use the film through national teacher-training institutions. In the US, we are in the process of researching targeted partnerships with Roma NGOs and groups interested in desegregation and multicultural education in order to disseminate the film and use it as a springboard for action and discussion not only on education for Roma in Europe, but on educational policies in the US. This will feed into a series of community screenings organized in the next two years with targeted local audiences in Europe and the US. Last but not least, we have started a series of screenings for policy-makers - such as members of the European Parliament, the Council of Europe, the US Congress and the World Bank, whose aim is to use the film to mobilize political will for lasting educational reform  on Roma integration.

Funders

NameAmountDate
Individual donors$2,000.0008/01/2010
Chicken and Egg Pictures$10,000.0007/28/2010
Lucius and Eva Eastman Fund$3,000.0007/01/2010
Producer's cash$43,500.0005/19/2010
Lichpunt pre-buy committment$13,000.0004/20/2010
YLE co-financing commitment$7,000.0004/20/2010
Geneva Service Cantonal de la Culture + Regio matching$30,000.0003/20/2010
TSR pre-buy committment + Regio matching funds$35,000.0012/20/2009
Open Society Institute post-production grant$40,000.0004/29/2009
Sundance Documentary Fund post-production grant$30,000.0011/25/2008
Open Society Institute production grant$8,000.0011/25/2006
Roma Education Fund production grant$13,000.0009/05/2006
UNICEF development grant$13,500.0005/05/2006

Location

124 First Place
Brooklyn, NY, 11231

Short Synopsis

Three Roma ("Gypsy") children from a small Transylvanian town participate in a project to desegregate the local school, struggling against indifference, tradition and bigotry with humor, optimism and sass. Our School is a captivating and often funny story about hope and race, and an elegy about generational prejudice and squandered opportunities.

Description/Treatment

Our School follows three Roma children - Alin, Beniamin, and Dana - as they struggle to break the barriers of segregation, candidly challenging entrenched stereotypes and tring to make the best of the cards dealt to them by adults along the way. The film begins in 2006, as the children are moved from a dead-end segregated school on the outskirts of Targu Lapus, Romania, into a mainstream school in the center of town, where they will learn together with Romanians. Once in the mainstream school, the children’s hopes and optimism are met with low expectations and further isolation.

Our longitudinal approach and the stable, all-Romanian crew allowed us deep access, steering clear of exoticism and sensationalism. As a result, this feature-length documentary shows the lives of Roma children from close up, in unflinching yet intimate visual style characteristic of the new Romanian naturalistic cinematography. The hand-held camera allows for the complex construction of scenes, at times catching whispered exchanges between children during class while at other times lingering on the evocative settings of the small Transylvanian town to convey the subtle shifts in atmosphere that come with fear of change and with unresolved, long-standing racial tension. Ten extended shoots, stretched over four years, have allowed the project’s small, stable crew to follow fully realized narrative arcs, and gain unfettered access to the children’s most intimate hopes and fears, which make up the complex emotional structure of the film.

The post-production process centers on constructing an emotionally charged narrative arc out of the three intertwined stories of Alin, Beniamin and Dana. The story is propelled by vérité scenes which allow characters to develop and make themselves understood on their own terms. The twists and turns of the story line are articulated in slow, tense reveals that are faithful to the cultural norms and rhythms of the small town.

The film draws viewers into the details and rhythms of the small Romanian town, revealing the devil in these details: What does it mean to prepare for integration in a makeshift home with no running water or electricity? What long-term harm does a teacher’s refusal to touch a second-grader inflict? And which of our individual actions can break the cycle of discrimination and inequality? The gravity of the main question of the film - how does racial bias affect the destiny of its victims? - is balanced by the protagonists’ natural levity and the comedy of human foibles and absurd prejudice.


A primary document on how policies and principles play out on the ground, this documentary illuminates the day-to-day workings and emotional intricacies of race relations anywhere in the world through the deceptively distant world of “Gypsies” and Transylvanian peasants. By telling a compelling human story that is part of a broader rights movement, Our School seeks to mobilize new energies at a moment that is ripe for change, when Europe finally has its Brown vs. Board of Education moment.

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