4100 Redwood Rd #406
Oakland, CA 94619

Cobell v.

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Images

Mary_Hogon_well.JPG
Navajo Indian Trust beneficiary

Website

http://www.cobellvmovie.com

Topics

Arts & Culture: Documentary
Economy: Debt, Finance
Environment: Forests, Pollution
Human Development: Land, Poverty, Social Exclusion
Human Rights: Civil Rights, Indigenous Rights, Social Exclusion
Politics: Civil Society, Codes of Conduct, Corruption & Transparency, Democracy, Ethics & Value Systems, Justice and Crime, Law

Identity Niches

Indigenous, Native American, Women

Budget

Raised to date: $535,287.00
Estimate to complete: $500,000.00
Total Estimated Budget: $1,035,287.00
The budget numbers above are accurate as of 03/17/2009

Status

Post Production

Media Type

Video

Project End Use

Theatrical

Key Personnel

Melinda Janko
Producer, Director, Writer

Melinda Janko, (Producer, Director, Writer) is founder and President of Fire in the Belly Productions, Inc. an independent film production company in San Diego, California that creates and develops documentary projects that seek to educate and enlighten the public on a variety of social issues from all walks of life. Ms. Janko was previously President of Turning Point Productions; a Massachusetts based company that produced public service announcements and promotional videos for the non-profit sector, including "Through these Doors," the 25-year history of The Dorchester House, an inner city CommunityTreatment Center, that screened to Governor Michael Dukakis. Prior to Turning Point, Ms. Janko worked as the Extras Casting Coordinator for the feature film, "Lost Eden," a Made in the USA Productions period piece about the harsh working conditions for women in the 19th century textile mills of Lowell, Massachusetts. She is a cum laude graduate with a B.S. degree in Communications from Emerson College in Boston, Massachusetts.

Contact Info: Address: 18650 Old Coach Way Poway, CALIFORNIA 92064 United States of America

Daytime Phone:858-521-0559 Alternate Phone: 619-459-4538

Email: mjanko2@aol.com

Jim Orr
Director of Photography
Jim Orr/DP     Nine-time Emmy Award winner for Outstanding Photography and Lighting Direction, Jim Orr has 19 years experience as a Director of Photography on a wide range of projects -- feature films, documentaries, reality television and commercials. He just completed the filming of Hole in the Paper Sky starring Jessica Biel, Jason Clarke and Gary Marshall. Other films include The FlyBoys, starring Tom Sizemore and Stephen Baldwin,and Clipping Adam, starring Academy Award winner Louise Fletcher, KevinSorbo, and Chris Eigeman.

Contact Info:

Address:
709 E. Magnolia
#D
Burbank, CALIFORNIA 91501
United States of America    

Daytime Phone:  310-766-3262
Email:    jimorrdp@aol.com

Outreach/Engagement Plan(s)

The Outreach Program for Cobell v. started in the pre-production stages and continues throughout the production. We beganby targeting our audience and identifying specific groups who are interested in social justice and Native American issues. We are partnering with John Echohawk, the Executive Director of the NativeAmerican Rights Fund (NARF) and Advisory Board Member, who has provided us with a list of 300+ organizations interested in Native issues.Several law schools have expressed interest in showing the film to their students. Our goal will be to use the film to affect change and bolster the work of our partners. During the rough cut stage we will include a cross section of those organizations in our focus groups to solicit feedback on how the film can be most effective. We will hire anOutreach Coordinator to manage the program, set up a database, oversee mailings, co-ordinate with advisory board members and supply content to the Web Master. Janko has met with and will continue to discuss Outreach plans with Robert West, Working Films, and Judith Helfand,Chicken and Egg Pictures.

The "Cobell v." website www.cobellvmovie.com constructed in 2005, will continue to be modified and updated.

Content will include:

• Links to partners: www.narf.org, www.indiantrust.com,
• Synopsis
•Profile of the cast of characters involved in the story: lead plaintiff and Native American activist, Elouise Cobell, lead attorney, DennisGingold, NARF attorney Keith Harper, Judge Royce Lamberth, Secretary ofthe Interior, Ken Salazar, and NARF Executive Director, JohnEchohawk
• Educational information relevant to the history of the Indian Trust
• Promotional trailer
• Screenings and events
• Press releases
• Production updates and photo’s
• Credits and bio’s of production team
• Information on how to support the film through donations.
• Links to interested distributors: www.bullfrog.com, www.frif.com, www.cinemaguild.com www.rockymtnpictures.com

We will also create a study guide with the assistance of our advisoryboard, educators, and partners. The guide will be used for discussion in classrooms, law schools, museums and non-profit organizations.

Funders

NameAmountDate
Venture Catalyst Inc. (VCAT) $6,000.0001/01/2007
IGT Gaming $6,000.0001/01/2007
Viejas $63,000.0001/01/2006
WMS Gaming $3,287.0001/01/2006
Barona $12,000.0001/01/2006
Arizona Council for Humanities$6,000.0001/01/2005
South Dakota Humanities$4,000.0001/01/2005
Fogel Capital Mgt. $20,000.0001/01/2005
Janko Family Trust & Robey Estate$400,000.0001/01/2004
Sycuan $15,000.00

Location

PO Box 270104
San Diego, 92198

Short Synopsis

"Cobell v." is a feature length documentary about one woman's fight for justice for 500,000 Native Americans who own mineral rich land that has been mismanaged by the US government for over a century.

Description/Treatment

A powerful reminder that the Indian Wars are far from over, Cobell v., a feature length documentary, tells the incredible story of one woman's fight for justice for 500,000 Native Americans. At the end of the 19th century, the US government broke up Indian reservations, parceled out millions of acres of land to individual Indian families and promised to oversee the land. The government restricted the Indians ability to lease or sell the land and established the Indian Trust Fund to disburse revenues generated by mining, oil, gas, grazing and timber leases. From the very beginning, the Indian Trust was doomed to fail and reports began surfacing as early as 1915 addressing management problems. But Congress failed to appropriate the necessary funds and over the years Indian families saw their checks and land begin to dwindle or disappear altogether. Indian beneficiaries of oil rich lands should have been living in mansions, instead they were living in homes without running water and electricity. Their meager revenue checks barely paid for the simple necessities of life. Seeking answers, Indian families did what they were told to do when they questioned their government trustee; they went to their local Bureau of Indian Affairs office and asked the Indian agent. They waited and waited for answers to their questions ----but the answers never came.

Fast-forward 120 years to the 21st century. Not much has changed, one in three Native Americans still live in poverty and the U.S. government still operates a broken Trust. But behind the doors of the 6th District Court in Washington, DC, there is a new battle being waged. Thanks to the efforts of a determined people and one very dedicated Native American by the name of Elouise Cobell. On June 10, 1996, sixty-eight years after a General Accounting Office first reported the widespread mismanagement of the Indian Trust, Cobell, a warrior of the Blackfeet tribe, together with attorney Dennis Gingold and the Native American Rights Fund, filed the largest class action lawsuit ever filed against the United States Departments of Interior and Treasury for the mismanagement of billions of dollars of Indian Trust Funds. This empowering story of one woman's fight for justice has been the driving force behind Cobell v Salazar, which has entered its 13th year in the courts. Unfortunately this incredible story has escaped the interest of the mainstream media, which is why we want to tell it. Through interviews with Indian beneficiaries, lead plaintiff, Elouise Cobell, lead attorneys, scholars, Senators and Congressmen, government officials and the Judge, and using courtroom illustrations and archival footage, Fire in the Belly Productions has assembled a fascinating depth of materials, knowledge, facts, and heartfelt stories for film audiences everywhere.

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